Złota 73

Updates 2011
Złota 73, Wola, Warsaw, Poland
April 26th – May 6th 2011

Project organized by the Vlepvnet foundation

At the end of May 2011, I went for a couple of weeks to Warsaw to paint two big murals on the facades of an old building that was constructed before World War II (very few of these buildings are still intact because of the intense bombings). The project was part of update 2011, an event organized by the Vlepvnet foundation. Every year they invite local and international artists to work in the city. The building is located on Zlota street in the Wola neighborhood, close to the central station. Thanks to the help from the guys from vlepvnet, the volunteers and the support of the neighbors, we managed to finished the two murals in only seven days.

As I was working more than 10 hours a day everyday during the week, I developed a very special relation with the neighbors who, as you can see in the pictures below, took very good care of me…

I would like to thank all the guys from Vlepvnet, the neighbors (particulary Antoni, Marta and Maciek and Joanna and Chris for taking so good care of me) and also all the volunteers who helped us painting.

Dziękuję!!!

Modular Do Lage

Nova Cultura Contempôranea
Parque Lage, Rio de Janeiro, Brazil
March 21st – April 30th 2011

Project in collaboration with MOMO
www.vimeopro.com/rojo/nova-rio2011

In April 2011, I participated in Nova Rio Contemporary Culture, an event organized by Rojo in Rio de Janeiro. My friend (and artist whom I greatly admire) MOMO was also one of the artists invited. The organizers suggested we work together to produce an installation that would be exhibited at the Parque Lage. I had visited the Parque Lage six years before and it always struck me as one of the most beautiful places I have ever seen in Brazil. So of course I was very excited when I heard that I was going to have the opportunity to create art in this amazing place together with (for the second time) MOMO!

We had access to a workshop in a building within the School of Visual Arts (which is located in a palace in the middle of the park) and a large amount of unused wood. We started thinking about using this wood in different ways, always keeping in mind that we would construct something non-static and movable. Then we started working on the idea of a modular sculpture that could change constantly. After various tests with different models, we manufactured 23 pieces of wood that could be joined together in a variety of ways. Each piece was designed to fit with any or all of the other pieces. However, we soon found that the possibilities were limited by the condition of the wood, so we tried all the combinations that gravity allowed in the vicinity of our workshop, the gardens and the park. After a week we left four sculptures in the jungle to spend time with the local fauna!

Video:

Photos:

Thank you very much David, the whole team and all the Nova artists.

Muban – Urban Drift Experiment

Muban (木板, “wood board” in Chinese)
Urban drift experiment with wooden boards
Beijing, China 2011 – 2013

Muban is an experiment about movement and material recuperation. Since I moved to China, I have been observing how people constantly recycle everything – from cardboard boxes and plastic bottles to bricks, doors and windows from demolished buildings. These materials are immediately collected and sold by the kilo or directly reused. I wanted to see what would happen if I threw my own material out onto the street. where would it end up? How would it be used? I bought some thin plywood boards, and had them cut (81 x 61 cm). On either side of each board I painted white shapes to be able to spot them easily. Each board was given a slightly different design so I could differentiate and follow them. Then, I left them in the street and waited to see what would happen.

Muban A, Caijing donglu

Eltono-MubanA-x18

One day on my way to my daily Chinese classes, I found a shortcut passing through a “hutong” neighborhood. I found it so interesting, compared with the rest of the over-urbanized area around, that I decided to pass through there everyday. The people living there were very kind, always smiling and open to communication. I decided to do the first Muban experiment in this neighborhood because it was quite small, had one story homes and very few residents lived there. Furthermore, as I was walking or biking through it everyday, I would be able to observe the pieces and how they moved twice a day. I prepared the first nine Mubans in my studio and one night, I deposited them around the tiny hutong streets. I distributed the boards into four sets: one containing three boards and the other three containing two. They disappeared very fast and, only once (18 days later), was I able to see a set of two boards (A6 and A7) reappear again in an adjacent street before it was completely gone. I abandoned the nine boards in November of 2011 and I continued to observe until the summer of 2012. Today this neighborhood is almost completely gone. Most of the people have lost their homes and have been forced to move somewhere else in order to build more towers and skyscrapers.

Click on the images to enlarge them and read the captions to follow the story.

Muban A1, A4 and A5:

Muban A2 and A9:

Muban A3 and A8:

Muban A6 and A7:

This is how this hutong neighborhood looks today (June 2013). In almost every picture you can see some tall buildings surrounding the area – this is what they’ve planned to build here, more towers, once the last residents have been kicked out.

Muban B, Chengfulu

Eltono-MubanB-x18

Things got a little bit better with the second experiment, I got a couple of very interesting results and I was able to draw a map of the movements. I painted nine boards again and I deposited them, one by one this time, in a small residential area very close to my house. Since then, I have walked around or biked through this neighborhood almost everyday trying to spot the boards. After so many hours observing and looking for the white geometric designs, I developed a new ability and was able to detect them quite easily.

Click on the images to enlarge them and read the captions to follow the story.

The records of Muban B1 to B9 are presented in chronological order.

Muban B1:

Muban B2:

Muban B3:

Muban B5:

Muban B4:

Muban B9:

Muban B8:

Muban B6:

Muban B7:

Eltono Muban B map

I learned many interesting things while doing the Muban project such as how to be discreet to avoid ruining the experience, how to appear lost when you know exactly where you are going and a variety of interesting habits and quirky personality traits belonging to the Beijingers who live in these communities. This experiment is an ongoing project. The pieces must be observed for a very long time so it’s not an easy project to start just anywhere. I’m looking forward to continuing with it and I hope to be able to report more results. If by any chance, any of the above listed Mubans reappear, I’ll post the update here.

Astillas

Festival Of World Cultures
Dún Laoghaire, Dublin, Ireland
July 23rd – 25th 2010

In June of 2010 I was invited by the Festival of World Cultures to reconstruct my Astillas instalation. It was first presented in La Culpable galery in Lima in June of 2008 (www.eltono.com/en/exhibitions/astillas). The event lasted 2 days and thanks to the constant public participation, the instalation was ever-changing and new compositions were created constantly.

All of a sudden a carnaval began in front of the instalation!

Back to Peru

In honor of the land where the instalation was first conceived, I decided to send one of the wood chips “back to Peru”…
:)

In these images below, you can see a selection of the compositions done by varios people throughout the festival.

Thank you very much Jane, Jules and Anja.

Sen Thăng Long Hotel

Hanoi, Vietnam
June 2010

Project commissioned by the AECID

At the end of June 2010 I was invited by the Spanish embassy in Hanoi to paint the facade of the Sen Thang Long hotel, in Nguyễn Trường Tộ street, close to the Old Quarter. I spent 20 days there and was helped by Duy, Bái, Thăng y Nhi, four painters used to extreme working conditions, who ended being my hosts and allowed me discover the city and Vietnamese culture in a very unusual and authentic way.


The finished facade after 15 days of work, click on the picture to enlarge.

Extra pictures:

Thanks to my four assistants efficiency, it only took 15 days to finish the facade and I was left with a week to do a little bit of tourism, sing What is love at the Karaoke, do independent paintings in the street, finally find out what was that song Bái was playing everyday in his mobile phone, try more types of Phở, ride three at a time on a motorbike to Thanh Xuân in the rain, and try at last the Mía đá

An incredible experience that was made possible thanks to Cesar Espada, Mónica Gutierrez, Duy, Bái, Thăng, Nhi and Thin, Mr Hai the hotel director,  Eugenio, Nga, Chi, Ming from Bar36, the corner fruit sellers and Mrs Phở.

Branco de España

MUAU
Fundación Caixa Galicia, La Coruña, Spain
April 15th – June 27th 2010

I first presented the project Branco de España during the Postgraffiti, Geometría y Abstracción exhibition curated by Javier Abarca at the Fundación Caixa Galicia during the MUAU in A Coruña.

This is another experiment like Pubblico, Coriandoli or El Autotono where the final result of the artwork is completely dependent on pedestrian interaction. In this project the basis of my interest and observation was the combination of random organic drawings with my clean, calculated designs. People drew with their fingers slowly revealing my hidden images.

You can see the video first by clicking here.

This is the video that was shown in the gallery. It was filmed and edited by M.A. Barrigüete.

Thanks to all the amazing people from the MUAU, Javier Abarca for giving me the opportunity to partake in this exhibition, and Henry Chalfant for his great conversation, insight and company.

Pictures by Elba Fernández, M.A. Barrigüete and Eltono.

La Cuadrada

“Kaleidoscopic Vision in the city of Lima”

Centro Cultural de España
Natalio Sanchez 181, Lima, Peru.
From the 5th to the 27th of November, 2009

Lima as a departure point, the only stimulus, direct contact with the city. Without preconceived ideas or previous studies we generated audio-visual projects and installations through real life street experiences, dialogue with it’s people and the appropriation and decontextualization of local resources. The exhibition consists of two well defined parts. First a photographic documentation of everything that caught our attention during the four weeks that we were in Peru. A visual stimuli that served as raw material to produce the pieces. Second, a synthesis of this experience materialized in the form of sculptural installations and a mural in the exhibition space of the prestigious Spanish Cultural Center in Lima.

A big thank you to: Jules Bay and her team; Alvaro García Vilches, David Flores-Hora and all the staff at CCE in Lima.

The complete documentation about the project is published on the official Equipo Plástico website: www.equipoplastico.com/projects/la-cuadrada-en (in Spanish)

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