Generative and participative mural
Executed with 9 participants from RAW Artworks
Tremont Street, Lynn, Massachusetts, USA
July 2018
Beyond Walls Festival
www.beyond-walls.org
Generative and participative mural
Executed with 9 participants from RAW Artworks
Tremont Street, Lynn, Massachusetts, USA
July 2018
Beyond Walls Festival
www.beyond-walls.org
Generative wood block printing
Series of 8 monotypes
Printed at Center Street Studio, Boston, MA, USA
November 2017
On sale exclusively at www.centerstreetstudio.com
Le Mur Saint-Étienne
March 2018
Rue du Frère Maras, Saint-Étienne, France
le-mur-st-etienne.tumblr.com
Photo: Benoit Roche
Generative and participative mural
Executed with 175 students from the Violettes Elementary School in Chenôve, Dijon, France
June 2017
Project produced by Zutique Production and directed by Pierre-Loup Vasseur.
Generative and participative mural
Executed with 175 students from the Violettes Elementary School in Chenôve, Dijon, France
June 2017
Project produced by Zutique Production and directed by Pierre-Loup Vasseur.
Redline Contemporary Art Center
2350 Arapahoe Street, Denver, U.S.A.
June 30th – July 23rd 2017
Modo n.º19
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Downshifting collective exhibition
Redline Contemporary Art Center
2350 Arapahoe Street, Denver, U.S.A.
June 30th – July 23rd 2017
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)