Generative painting
La Courrouze Water Tower
Rennes, France 10/2017
Production: Teenage Kicks Biennial
Modo n.º24
Category: Generative
Modo n.º21
Generative and participative mural
Executed with 175 students from the Violettes Elementary School in Chenôve, Dijon, France
June 2017
Project produced by Zutique Production and directed by Pierre-Loup Vasseur.
Modo n.º20
Generative and participative mural
Executed with 175 students from the Violettes Elementary School in Chenôve, Dijon, France
June 2017
Project produced by Zutique Production and directed by Pierre-Loup Vasseur.
Downshifting
Redline Contemporary Art Center
2350 Arapahoe Street, Denver, U.S.A.
June 30th – July 23rd 2017
Modo n.º19
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Modo n.º19
Downshifting collective exhibition
Redline Contemporary Art Center
2350 Arapahoe Street, Denver, U.S.A.
June 30th – July 23rd 2017
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Modo n.º18
Generative painting
“Cotolino II” Health Center
Castro Urdiales, Spain 06/2017
Modo n.º16
Generative and participative painting
La Grette Neighborhood
Besançon, France 04/2017
10 days and 180 participants – project organized by Juste Ici part of a CLEA (local contract of artistic education) with la Butte and la Grette schools.
Modo n.º14
Generative painting
“Les Lilas” public housing building
Langres, France 11/2016
Project selected in the framework of the 2016 call for projects on Urban Art by the French Ministry of Culture.
Production: Le Chien à Plumes
Thanks to Benjamin Venck, Le Chien à Plumes, Naps and Hamaris Public Housing.
Pictures by Benjamin Venck and Eltono.