Le Mur Saint-Étienne
Marzo 2018
Rue du Frère Maras, Saint-Étienne, Francia
le-mur-st-etienne.tumblr.com
Foto: Benoit Roche
Category: Mural
Familia Lopes
Composición sobre inmueble
Casa de la familia Lopes
Comunidade Norte 1, São Vicente, Cabo Verde, 11/2017
IDEO 80 Prospect
Composición sobre inmueble
IDEO Cambridge
80 Prospect Street, Cambridge, Massachusetts, USA
11/2017
Producción: Beyond walls www.beyond-walls.org
Modo n.º24
Pintura generativa
Deposito de agua La Courrouze
Rennes, Francia 10/2017
Producción: Bienal Teenage Kicks
Modo n.º21
Pintura mural generativa y participativa
Ejecutada con 175 alumnos de la escuela elementaria Les Violettes en Chenôve, Dijon, France
Junio 2017
Proyecto producido por Zutique Production y dirigido por Pierre-Loup Vasseur.
Modo n.º20
Pintura mural generativa y participativa
Ejecutada con 175 alumnos de la escuela elementaria Les Violettes en Chenôve, Dijon, France
Junio 2017
Proyecto producido por Zutique Production y dirigido por Pierre-Loup Vasseur.
Downshifting
Redline Centro de Arte Contemporaneo
2350 Arapahoe Street, Denver, EE.UU.
30 de junio – 23 de julio 2017
Modo n.º19
(Texto en inglés)
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Modo n.º19
Downshifting exposición colectiva
Redline Centro de Arte Contemporaneo
2350 Arapahoe Street, Denver, EE.UU.
30 de junio – 23 de julio 2017
(Texto en inglés)
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)