Generative and participative mural
Executed with 175 students from the Violettes Elementary School in Chenôve, Dijon, France
June 2017
Project produced by Zutique Production and directed by Pierre-Loup Vasseur.
Generative and participative mural
Executed with 175 students from the Violettes Elementary School in Chenôve, Dijon, France
June 2017
Project produced by Zutique Production and directed by Pierre-Loup Vasseur.
Box edited by Underdogs. 5 colored layers that can be turned and reordered to create endless combination possibilities.
Edition of 14, signed and numbered; Mate vinyl coated five-layer cut-out cardboard on wooden mount. 42,5 x 33 cm.
On sale exclusively at Underdogs’ online shop: www.under-dogs.net/shop/estratos
Redline Contemporary Art Center
2350 Arapahoe Street, Denver, U.S.A.
June 30th – July 23rd 2017
Modo n.º19
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Downshifting collective exhibition
Redline Contemporary Art Center
2350 Arapahoe Street, Denver, U.S.A.
June 30th – July 23rd 2017
Curated by Ramón Bonilla, Downshifting is a group exhibition that calls attention to the meditative quality of reductive art, which encompasses minimal, post-minimal, hard edge and geometrical work. Reductive art work is typically explored in terms of formal qualities like medium, rarely conjuring conversations that respond or reflect on political realities. For many artists around the globe, however, reductive work can provide a sanctuary from the hyperactivity and sensory-flooding that has come to be our everyday reality.
Working with 12 internationally-based abstract and minimalist artists, Downshifting will transform RedLine’s 6,000-square-foot exhibition hall into a sanctuary of abstract works with programming that explores sensory deprivation rather than spectacle and provocation.
Participating Artists:
Eltono (France)
Louyse Blyton (Australia)
Ramón Bonilla (Puerto Rico)
Sandra Fettingis (USA)
Andrew Huffman (USA)
Kristofer Hultenberg (Denmark)
Michael Mork (Denmark)
Gary Andrew Clarke (England)
Ashley Frazier (USA)
SEIKON (Poland)
Hyland Mather (USA)
Frank T. Martinez (USA)
Generative painting
“Cotolino II” Health Center
Castro Urdiales, Spain 06/2017
Doppelgaenger Gallery
Via Verrone 8, Bari, Italy
Double solo show with Italian artists Sten&lex
May 4th – September 20th 2017
I showed three different bodies of work:
Percorsi Aleatori, three collages on paper representing three 10 minutes random itineraries that I executed in the streets of Bari Veccia using a dice in my pocket.
Esculture Casuali, a random sculpture experiment where the length and angle of each segment composing the sculpture were decided at random.
Morceaux Choisis, eight randomly generated woodcuts following the rules of generative mural Modo n.º7.
3 Percorsi Aleatori (I)
3 Percorsi Aleatori (II)
3 Percorsi Aleatori (III)
Sculture Casuali (I & II), 3 Percorsi Aleatori (I, II & III)
Sculture Casuali (I & II), 3 Percorsi Aleatori (I, II & III)
Sculture Casuali (I & II)
Sculture Casuali (I & II)
Scultura Casuale (prototipo)
Morceaux Choisis (VI, VII & VIII)
Morceaux Choisis (IV)
Morceaux Choisis (V)
Morceaux Choisis (I, II & III)
Generative and participative painting
La Grette Neighborhood
Besançon, France 04/2017
10 days and 180 participants – project organized by Juste Ici part of a CLEA (local contract of artistic education) with la Butte and la Grette schools.
