Peinture participative et générative
Foyer Herriot
Dijon, France 07/2016
2 jours et 15 participants – projet organisée par Zutique Productions dans le cadre d’une résidence de trois semaines sur le quartier des Grésilles.
Peinture participative et générative
EACC, Centre d’Art Contemporain de Castellon
Castellon, Espagne 10/2016
5 jours et 43 participants – projet commissionné par Pascual Arnal pour le EACC avec la collaboration de l’école d’Art i Superior de Disseny et des lycées La Plana de Castellon et el Broch i Llop de Villareal.
Photos par Pascual Arnal et Eltono.
Somerset House
Londres, Royaume Uni
Exposition organisée par A by P
3 mars – 2 mai 2016
Footpaths
Quatre performances à pied de 15 minutes
Encre noire sur papier Fabriano Rosaspina 285 g. 100 x 70 cm, vidéo de 2 minutes
Règles :
www.a-by-p.com
www.somersethouse.org.uk/visual-arts/venturing-beyond
Peinture participative et générative
Cité Brûlard (les “408”)
Besançon, France 03/2016
9 jours avec 125 participants – projet organisé par l’association Juste Ici dans le cadre d’un CLEA avec les écoles primaires de la Butte et de la Grette.
Merci à toute l’équipe de Juste Ici, aux volontaires (Fany et Sandrine), à la MJC Grette-Butte, aux résidents des 408, aux enseignants des écoles de la Grette et de la Butte et surtout aux 125 élèves qui ont participé à la peinture.
Photos de Fany et Eltono
Peinture participative et générative
Marché des Grésilles
Dijon, France 03/2016
4 jours avec 30 participants – projet organisé par Zutique avec la participation des enfants de la MJC et du centre social des Grésilles.
4th Biennale d’Art Contemporain
Le Havre, France
September 28th 2012 – May 15th 2013
Directed by Linda Morren and curated by Kevin Grottaglia
I built the Signalétique Libre (free signage) installation exclusively for the Le Havre Contemporary Art Biennial. It will be exhibited on the Jules Ferry square until May 15th 2013.
My idea was to take advantage of the location, a wide open space and very transited – which means a significant pedestrian flow and enough wind – to do a mobile installation. The work was conceived around an idea I have already worked with several times: give the spectator, each time they see the artwork, the possibility to see new compositions. Signalétique Libre questions urban visual communication – very direct, concise and at times even alienating – concentrating in the same reduced space 20 signs with abstract designs, without any intelligible message, that remained in constant motion. The pedestrian is free to interpret what the signs want to communicate or indicate, an open space for the viewer to stop receiving messages and perhaps start to emit them.
Exterior pictures by Mikaël Lesueur
Thanks to Linda Morren, Kevin Grottaglia, Mikaël, Paul and all the crew at the Musée Maritime et Portuaire du Havre.
Ongoing project
Started in September 2011
I have always been fascinated by all the marks, traces and treads that our daily movements leave throughout a city. The idea behind TRACES is to observe and somehow try to register these types of marks. For this purpose, I am working on some experiments that allow for the possible appearance of shapes and lines by exploiting these daily movements.
The first experiment is called Gravure au sol (ground engraving). The idea was to generate graphic works using the city as a studio. The four first attempts with a satisfactory result were executed on the asphalt of three streets (one in France and two in China) registering the passage of cars, motorbikes, bikes and a few pedestrians.
Asphalt engraving on card, 18 cm x 28 cm.
13/09/2011 from 14h25 to 20h20, road D54, France.
Most of the marks were left by cars.
Asphalt engraving on Canson Paper, 18 cm x 28 cm.
14/09/2011 from 9h32 to 16h54, road D54, France.
Most of the marks were left by cars.
Asphalt engraving on Sumiaozhi-8K 160g Paper, 18 cm x 28 cm.
19/10/2011 from 15h00 to 16h19, 学院路 (Xueyuanlu), Beijing, China.
Most of the marks were left by bikes and bicycles.
Asphalt engraving on Sumiaozhi-8K 160g Paper, 18 cm x 28 cm.
24/10/2011 from 15h48 to 16h45, 展春园西路 (Zhanchunyuanxilu), Beijing, China.
Most of the marks were left by cars.
I am in the process of conducting further experiments at this time. As soon as I obtain some more interesting results, I will post more examples.
As the results for these first experiments from the TRACES project are recoverable, they will be available for purchase, with my other graphic works, at the Boutique on this website.