Muban – Urban Drift Experiment

Muban (木板, “wood board” in Chinese)
Urban drift experiment with wooden boards
Beijing, China 2011 – 2013

Muban is an experiment about movement and material recuperation. Since I moved to China, I have been observing how people constantly recycle everything – from cardboard boxes and plastic bottles to bricks, doors and windows from demolished buildings. These materials are immediately collected and sold by the kilo or directly reused. I wanted to see what would happen if I threw my own material out onto the street. where would it end up? How would it be used? I bought some thin plywood boards, and had them cut (81 x 61 cm). On either side of each board I painted white shapes to be able to spot them easily. Each board was given a slightly different design so I could differentiate and follow them. Then, I left them in the street and waited to see what would happen.

Muban A, Caijing donglu

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One day on my way to my daily Chinese classes, I found a shortcut passing through a “hutong” neighborhood. I found it so interesting, compared with the rest of the over-urbanized area around, that I decided to pass through there everyday. The people living there were very kind, always smiling and open to communication. I decided to do the first Muban experiment in this neighborhood because it was quite small, had one story homes and very few residents lived there. Furthermore, as I was walking or biking through it everyday, I would be able to observe the pieces and how they moved twice a day. I prepared the first nine Mubans in my studio and one night, I deposited them around the tiny hutong streets. I distributed the boards into four sets: one containing three boards and the other three containing two. They disappeared very fast and, only once (18 days later), was I able to see a set of two boards (A6 and A7) reappear again in an adjacent street before it was completely gone. I abandoned the nine boards in November of 2011 and I continued to observe until the summer of 2012. Today this neighborhood is almost completely gone. Most of the people have lost their homes and have been forced to move somewhere else in order to build more towers and skyscrapers.

Click on the images to enlarge them and read the captions to follow the story.

Muban A1, A4 and A5:

Muban A2 and A9:

Muban A3 and A8:

Muban A6 and A7:

This is how this hutong neighborhood looks today (June 2013). In almost every picture you can see some tall buildings surrounding the area – this is what they’ve planned to build here, more towers, once the last residents have been kicked out.

Muban B, Chengfulu

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Things got a little bit better with the second experiment, I got a couple of very interesting results and I was able to draw a map of the movements. I painted nine boards again and I deposited them, one by one this time, in a small residential area very close to my house. Since then, I have walked around or biked through this neighborhood almost everyday trying to spot the boards. After so many hours observing and looking for the white geometric designs, I developed a new ability and was able to detect them quite easily.

Click on the images to enlarge them and read the captions to follow the story.

The records of Muban B1 to B9 are presented in chronological order.

Muban B1:

Muban B2:

Muban B3:

Muban B5:

Muban B4:

Muban B9:

Muban B8:

Muban B6:

Muban B7:

Eltono Muban B map

I learned many interesting things while doing the Muban project such as how to be discreet to avoid ruining the experience, how to appear lost when you know exactly where you are going and a variety of interesting habits and quirky personality traits belonging to the Beijingers who live in these communities. This experiment is an ongoing project. The pieces must be observed for a very long time so it’s not an easy project to start just anywhere. I’m looking forward to continuing with it and I hope to be able to report more results. If by any chance, any of the above listed Mubans reappear, I’ll post the update here.

Branco de España

MUAU
Fundación Caixa Galicia, La Coruña, Spain
April 15th – June 27th 2010

I first presented the project Branco de España during the Postgraffiti, Geometría y Abstracción exhibition curated by Javier Abarca at the Fundación Caixa Galicia during the MUAU in A Coruña.

This is another experiment like Pubblico, Coriandoli or El Autotono where the final result of the artwork is completely dependent on pedestrian interaction. In this project the basis of my interest and observation was the combination of random organic drawings with my clean, calculated designs. People drew with their fingers slowly revealing my hidden images.

You can see the video first by clicking here.

This is the video that was shown in the gallery. It was filmed and edited by M.A. Barrigüete.

Thanks to all the amazing people from the MUAU, Javier Abarca for giving me the opportunity to partake in this exhibition, and Henry Chalfant for his great conversation, insight and company.

Pictures by Elba Fernández, M.A. Barrigüete and Eltono.

La Cuadrada

“Kaleidoscopic Vision in the city of Lima”

Centro Cultural de España
Natalio Sanchez 181, Lima, Peru.
From the 5th to the 27th of November, 2009

Lima as a departure point, the only stimulus, direct contact with the city. Without preconceived ideas or previous studies we generated audio-visual projects and installations through real life street experiences, dialogue with it’s people and the appropriation and decontextualization of local resources. The exhibition consists of two well defined parts. First a photographic documentation of everything that caught our attention during the four weeks that we were in Peru. A visual stimuli that served as raw material to produce the pieces. Second, a synthesis of this experience materialized in the form of sculptural installations and a mural in the exhibition space of the prestigious Spanish Cultural Center in Lima.

A big thank you to: Jules Bay and her team; Alvaro García Vilches, David Flores-Hora and all the staff at CCE in Lima.

The complete documentation about the project is published on the official Equipo Plástico website: www.equipoplastico.com/projects/la-cuadrada-en (in Spanish)

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Coriandoli

Cripta 747
Galleria Umberto I, int. 29 Porta Palazzo, Turin, Italy
February 2nd – March 15th 2009

The Cripta747 space is quite big, I was really impressed when I arrived there. I had some ideas for the show but they didn’t fit in that huge place (one room on the ground floor and five in the basement). I had the idea tu use confetti (“coriandoli” in Italian) when I saw a pack in the window of a paper shop in Porta Palazzo promoted with other material for the carnival. I decided to make different experiments putting together graffiti and confetti, illegal aggression and harmless party pieces of paper. For the opening I made two interactive pieces inside the gallery. To organize the space and present the works in a proper way, I made a path with plastic fruit boxes, the gallery is situated on the square where the Porta Palazzo market happens every day and it is the biggest outdoor market in Europe. Tons of material to re-use.

No use to say that during two weeks, the guys from Cripta747 and me had a lot of fun working on this project.

http://cripta747.blogspot.com

I made six experiments:

(As there is a lot of documentation, it’s better to click on the list below to see video and pictures of each one, then “back to top” to come back here)

1 – Biadesivo Installation
2 – Confetti Graffiti
3 – Train Tunel Mission
4 – Vitrina Action
5 – Kit Wall
6 – The BONUS Video!

And extra pictures…

Biadesivo installation:

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Confetti graffiti:

Video:

Pictures:

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Train tunel mission:

This experiment was based on the idea to do something quite innocent (playing with confetti and wind) in a very hostile environment. It was nothing easy and we had to come back five times into the tunnel to achieve the plan. We could have done it more easily anywhere else but the idea was to do it a mission, to do it illegally and observe how all those factors which made it more difficult influenced the result of the experiment.

Video:

Pictures:

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Kit wall:

On the wall at the entrance of the basement, I nailed 50 Kit-Coriandoli to be sure that everyone had his own bag of confetti!
In the kit we of course put confetti  and a little card with a simple “Eltono” design made with double face tape and with instructions on its back.

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Vitrina action:

The ground floor of the gallery looks just like a pretty normal gallery with a big window-shop. That’s why I decided to present a “normal looking” work on that room so it could look like the exhibition is just there and nothing else, it was quite funny when people discovered that there were five more rooms downstairs with not so “normal looking” things happening down there!
The pieces shown in the room were made at the same time we did the sign on the window-shop, using the confettis that were falling and glue. I was totally stocked by this random result!

Video:

Pictures:

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Bonus video:

This video was hidden in the gallery somewhere at the end of the fruit boxes path.

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Extra pictures:

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I actually found one confetti in my bed in Madrid yesterday morning, two weeks after the opening!!! I can imagine that the same thing is happening to all the people who came to the opening, fantastic!

Pictures are from: Renato, Eugenio Grosso, Alex Tripo, Elisa, Walter and Eltono.

Grazie mille: Renato, Walter, Elisa, Tripoli, Toni, Giulia, Fran, CT, Kurz, Dem, Laure, Pier, B&B…

Pubblico

Rojo Art Space
Via Tortona, Milan, Italy
January 15th – February 28th 2009

In Pubblico project, the public is the protagonist of the work. The final result of the artworks will depend on the spectator. The experiment plays with the interactivity that exists in the street and wants to study how outer and uncontrolled factors can affect the works installed in the street. This way, the artist reflects on the sacred aspect of art leaving his creations to self-evolve and generating an uncertain final result.

Video:

Pictures:

Thanks to Lorenzo, Lucia and Lucía

PLAF

PLAF – Autonomous Mechanisms
New York, U.S.A.
August – September 2008

Project in collaboration with MOMO
www.eltono.com/plaf

During August and September 2008, with my friend and artist MOMO, we have been setting up, without any kind of permission, kinetic sculptures in the New York waterways.

Plaf is a word for splash in both Spanish and French and relates to the on-going project that features kinetic sculptures that have been placed and fastened in several locations in the New York Waterways. Constructed from used materials, the work will be left to the elements as a way to explore the force and power of water that goes unused and unnoticed in New York City. Using the rivers water, wind, tides, and currents, the sculptures will shift and decay, leaving the work just as it is without comment on form or representation.

An indoor exhibition happened at the same time at the Anonymous Gallery.

You can find the complete documentation on the blog of the project: www.eltono.com/plaf

List of the installations we did during the project:

Hallet’s Cove

Momo Eltono - PLAF Hallets Cove - NY

www.eltono.com/plaf/hallets-cove

Thrash Islands

Momo Eltono - PLAF Trash Island - NY

www.eltono.com/plaf/thrash-islands

Broadway Beach

MOMO Eltono - PLAF Broadway Beach - NY

www.eltono.com/plaf/broadway-beach

East River Park

Momo Eltono - PLAF East River Park - NY

www.eltono.com/plaf/east-river-state-park

Gantry Plaza

Momo Eltono - PLAF Gantry Plaza - NY

www.eltono.com/plaf/gantry-plaza-state-park

Plaf Maker

Momo Eltono - PLAF Maker - NY

www.eltono.com/plaf/plaf-maker

The Plaf Exhibition

Momo Eltono - PLAF Exhibition - NY

www.eltono.com/plaf/the-plaf-exhibition

Map of the project with the instalations locations: maps.google.com/maps/plaf

Street Art

Tate Modern
London, U.K.
May 23rd – August 25th 2008

Curated by Cedar Lewisohn and Rafael Schacter

The Street Art Walking Tour:
An urban tour of site-specific art from a group of five Madrid-based street artists: 3TTMan, Spok, Nano 4814, Eltono and Nuria Mora.

For the Walking Tour, I painted four pieces in the streets around the Tate and did the Public/Private signboards installation in collaboration with Nuria Mora.

www.tate.org.uk/whats-on/tate-modern/exhibition/street-art/street-art-walking-tour

Especially for the event, I designed a 9 colours silkscreen print, edited by the Tate Modern, you can see it in the Boutique here: www.eltono.com/en/boutique/patchwork-print

Eltono Tate Modern London

Download this map as your guide: https://www.tate.org.uk/file/street-art-exhibition-walking-tour